🍴 ( 009 ) Video
[Hannibal is seated at his desk, the camera balanced against something there: he is dressed in a tux, legs crossed, a glass of champagne in his hand. He sips it gracefully.]
Consider the ortolan.
[He smiles faintly, as if it's a joke he knows no one will realize.]
It was the practice of certain gourmets to eat these small birds for centuries. A rite of passage, of sorts, where one must hunt but not kill. Capture it alive and keep it so, for a time. It was best to blind the bird, placing it in a small cage filled with grain. Its reaction to the darkness is to gorge itself. If you were particularly thoughtful, you would add oats and figs to this diet as well. Once it had fattened itself, these gourmets would drown it in brandy - Armagnac, preferably. On high heat, roast it whole for six to eight minutes.
There is a tradition for consumption as well; of course there is. You would place a cloth over your head, to contain the aroma, to make it last, but also to hide your soon-to-be atrocity from God.
[He smiles again.]
Place the bird in your mouth, with only its beak escaping your lips. Bite down, and place the beak in your place. Chew slowly. Savor it. There is the sweetness of the flesh and fat, the brandy and the fig you have forced it to eat: this is God in all His wonder, from whom you must hide this act. I wonder if they tasted shame, too. Next there is the bitterness of untended innards, of organs uncleaned: this is the suffering of the Son, His blood on your tongue. It will soon be joined by your own, as your teeth crack hollow bones, as those bones slice your gums. Your blood, the sweetness, the bitterness - this is the Holy Spirit, and the Trinity come together in one mouth. A rite of passage, a mystery revealed.
It is terribly cruel. And terribly delicious.
[Spam for Ned]
[Shortly after his post, Hannibal heads for the pub sans champagne but still wearing his tux, and knocks at the door. He's already begun the set up, but there is one thing he still requires.]
[Open Gallery Spam on the Deck]
[Hannibal has been hard at work. With little to do between death tolls and less to occupy himself, he has been drawing. Mal was kind enough to supply him with tools enough for his art, though his pencils are never quite sharp enough without a scalpel to do the job. When he has finished, there is only one thing to do with his art.
Setting up takes time, but he goes as quickly as he can manage: Mal requested presentation dividers, which makes it feel just professional enough to satisfy Hannibal. The sketches and portraits are spaced out on the deck, providing plenty of room to walk around and observe. There is a small table near the pub entrance with glasses of champagne, and a very serious pie maker making certain that nobody does anything untoward to the champagne.
Hannibal himself can be found wandering through the little corridors he's made, observing his art on occasion but mostly observing those who have come to look.
It's opening night.]
(Hannibal is paraphrasing from Brendan Kiley's The Urban Hunt.)
Consider the ortolan.
[He smiles faintly, as if it's a joke he knows no one will realize.]
It was the practice of certain gourmets to eat these small birds for centuries. A rite of passage, of sorts, where one must hunt but not kill. Capture it alive and keep it so, for a time. It was best to blind the bird, placing it in a small cage filled with grain. Its reaction to the darkness is to gorge itself. If you were particularly thoughtful, you would add oats and figs to this diet as well. Once it had fattened itself, these gourmets would drown it in brandy - Armagnac, preferably. On high heat, roast it whole for six to eight minutes.
There is a tradition for consumption as well; of course there is. You would place a cloth over your head, to contain the aroma, to make it last, but also to hide your soon-to-be atrocity from God.
[He smiles again.]
Place the bird in your mouth, with only its beak escaping your lips. Bite down, and place the beak in your place. Chew slowly. Savor it. There is the sweetness of the flesh and fat, the brandy and the fig you have forced it to eat: this is God in all His wonder, from whom you must hide this act. I wonder if they tasted shame, too. Next there is the bitterness of untended innards, of organs uncleaned: this is the suffering of the Son, His blood on your tongue. It will soon be joined by your own, as your teeth crack hollow bones, as those bones slice your gums. Your blood, the sweetness, the bitterness - this is the Holy Spirit, and the Trinity come together in one mouth. A rite of passage, a mystery revealed.
It is terribly cruel. And terribly delicious.
[Spam for Ned]
[Shortly after his post, Hannibal heads for the pub sans champagne but still wearing his tux, and knocks at the door. He's already begun the set up, but there is one thing he still requires.]
[Open Gallery Spam on the Deck]
[Hannibal has been hard at work. With little to do between death tolls and less to occupy himself, he has been drawing. Mal was kind enough to supply him with tools enough for his art, though his pencils are never quite sharp enough without a scalpel to do the job. When he has finished, there is only one thing to do with his art.
Setting up takes time, but he goes as quickly as he can manage: Mal requested presentation dividers, which makes it feel just professional enough to satisfy Hannibal. The sketches and portraits are spaced out on the deck, providing plenty of room to walk around and observe. There is a small table near the pub entrance with glasses of champagne, and a very serious pie maker making certain that nobody does anything untoward to the champagne.
Hannibal himself can be found wandering through the little corridors he's made, observing his art on occasion but mostly observing those who have come to look.
It's opening night.]
(Hannibal is paraphrasing from Brendan Kiley's The Urban Hunt.)

spam - ota!
Hiziki is impassive. His face betrays no reactions except mild interest, with an underlying blankness that absolutely is due to a great deal of self-control. There are no leaks, no flinches, no hints of surprise.
He remembers the faces. ]
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This is not quite the welcome most receive.
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[ He knows what this is. There is subtle atrocity bleeding through the pages. An eerie, sideways view of the world. Gard knows what this looks like. These are pictures, they are expressions - and they are also weapons. ]
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[He smiles, stretches out his hand for introductions.]
Doctor Hannibal Lecter.
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Hiziki Gard.
You have a decent hand. Any formal training?
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[He gestures at the sksetches around them.]
This has simply been a hobby for many years.
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Are you usually this stoic, or is mostly to deny him the satisfaction?
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In any rate, I'm wary of granting satisfaction to a killer I haven't even met.
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[She gestures vaguely at the drawings with her champagne flute.]
...observing.
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[ Violence is a tool. Loving violence is wrong. ]
And I don't say no to information. Just a general rule.
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He's really into cooking.
[She sips at her glass. It's not an impassive recital, precisely, but it's not an impassioned one, either. She could hate him for Zane, she could hurt him for Abigail, she could help him for Mal. For herself, of all the things he's done, it was letting the barge panic and seethe that she dislikes most. He upset the equilibrium of her home, and that isn't acceptable. Murder and pretentious presentation are easier to swallow.]
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[ Careful control. But maybe it's obvious that he's seen things like this before. ]
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[She doesn't ask whether that's going to be difficult. She just makes the observation.]
Generally, anyway.
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I'd like to say I've killed enough, but I have this feeling it never will be.
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[She doesn't mind. Certainly he's brought it on himself. And she's not sure he'll ever change enough to really qualify as rebirth. But she does believe he can be persuaded to modify himself.]
I'm sorry.
[This is sincere; her life is not ruled by duty, but she can imagine it, and she understands the weight of killing even when one cannot regret.]
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[ Rebirth, for the Joined killers he's hunted, means re-Joining. It means a new host. New memories. ]
I'm not sorry. Someone has to do it.
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[In the sympathetic sense, that he takes it on himself, because it is necessary. It is worthy of sympathy.]
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So, this guy. Egocentric? Thinks he's a step above everyone else? This whole place, all these drawings, reminds me of a wall of knives. Raw weapons and sharp edges.
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[There's a little fondness in her derision. Just a little.]
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[ He actually understands this humor. ]
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[She gestures at the drawings, manages to encompass his particular psychopathic perspective without saying anything that might damage their current odd detente. It's not that she thinks he has a way to listen; it's just that she's thorough.]
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There's something to be said for extra cruelty. And... spurious reasons.
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